List of bibliographic references indexed by Chicago press
Number of relevant bibliographic references: 45.
| Ident. | Authors (with country if any) | Title |
|---|
| 000060 (2012) |
Jean-Jacques Nattiez [Canada] | Is the search for universals incompatible with the study of cultural specificity? |
| 000061 (2012) |
Gilbert J. Rose [États-Unis] | Implicit “Motion” in Non‐verbal Art: Transmission and Transformation of Affect |
| 000085 (2011) |
Brian Watkins | The Kantian Aesthetic: From Knowledge to the Avant‐Garde by crowther, paul |
| 000086 (2011) |
Richard Eldridge | The Cultural Spaces of the Arts and the Infelicities of Reductionism by margolis, joseph |
| 000088 (2011) |
Lydia Goehr | Sporting Sounds: Relationships between Sport and Music edited by bateman, anthony and john bale |
| 000092 (2011) |
Stephanie Patridge | Philosophy, Black Film, Film Noir by flory, dan |
| 000093 (2011) |
Michael Fischer | Philosophy of Literature edited by schroeder, severin |
| 000094 (2011) |
Andrew Mcgonigal [Royaume-Uni] | Philosophical Perspectives on Art by davies, stephen |
| 000095 (2011) |
Eric C. Mullis | Nature and Landscape: An Introduction to Environmental Aesthetics by carlson, allen |
| 000097 (2011) |
Christopher Perricone | Literature, Analytically Speaking: Explorations in the Theory of Interpretation, Analytic Aesthetics, and Evolution by swirski, peter |
| 000100 (2011) |
Shannon Foskett | Echo Objects: The Cognitive Work of Images by stafford, barbara maria |
| 000102 (2011) |
Angela Curran | Cinema, Philosophy, Bergman: On Film as Philosophy by livingston, paisley |
| 000104 (2011) |
Jinhee Choi | A Philosophy of Cinematic Art by gaut, berys |
| 000141 (2010) |
James Wierzbicki | Cocteau’s Chimney, Carter’s Cadenza: ‘Dream Time’ Symbols in Sight and Sound |
| 000152 (2010) |
Kenneth Smith | ‘A Science of Tonal Love’? Drive and Desire in Twentieth‐Century Harmony: the Erotics of Skryabin |
| 000153 (2010) |
Giorgio Biancorosso | The Shark in the Music |
| 000217 (2009) |
Victor A. Grauer | Toward a unified theory of the arts |
| 000218 (2009) |
| Theoretical issues |
| 000228 (2009) |
| Musicological approaches to musical semiotics |
| 000230 (2009) |
Ira Buchler | Making kinship: Framed constructions and their margins |
| 000368 (2007) |
Eduardo De La Fuente [Australie] | The `New Sociology of Art': Putting Art Back into Social Science Approaches to the Arts |
| 000452 (2006) |
Barbara White | “As if they didn’t hear the music,” Or: How I Learned to Stop Worrying and Love Mickey Mouse |
| 000607 (2005) |
Lydia Goehr | Juliette fährt nach Mahagonny or a Critical Reading of Surrealist Opera |
| 000750 (2004) |
Adam Ockelford [Royaume-Uni] | On Similarity, Derivation and the Cognition of Musical Structure |
| 000757 (2004) |
Eduardo De La Fuente [Australie] | Max Weber and Charles Ives |
| 000761 (2004) |
Kofi Agawu [États-Unis] | How We Got Out of Analysis, and How to Get Back In Again |
| 000766 (2004) |
Robert Walker | Cultural Memes, Innate Proclivities and Musical Behaviour: A Case Study of the Western Traditions |
| 000768 (2004) |
| Books Received |
| 000769 (2004) |
| Books Received |
| 000848 (2003) |
Christopher Hatch | Opera: A History in Documents |
| 000849 (2003) |
Alf Gabrielsson [Suède] | Music Performance Research at the Millennium |
| 000878 (2002) |
Adam Ockelford [Royaume-Uni] | The Magical Number Two, Plus or Minus One: Some Limits on our Capacity for Processing Musical Information |
| 000992 (2001) |
| Reviews |
| 000A62 (2000) |
| Book Reviews |
| 000B04 (1999) |
D. Angus Vail | The Commodification of Time in Two Art Worlds |
| 000B21 (1999) |
Mg Devetag [Italie] | From utilities to mental models: a critical survey on decision rules and cognition in consumer choice |
| 000C32 (1998) |
Derek Wynne [Royaume-Uni] ; Justin O'Connor [Costa Rica] ; Dianne Phillips | Consumption and the Postmodern City |
| 001116 (1989) |
| Guidelines for Contributors |
| 001208 (1987) |
| Book Browsing |
| 001299 (1985) |
Catherine T. Harris ; Clemens Sandresky | Love and Death in Classical Music‐Methodological Problems in Analyzing Human Meaning in Music |
| 001303 (1985) |
| Book Browsing |
| 001387 (1983) |
Mary Louise Serafine [États-Unis] | Cognition in music |
| 001543 (1980) |
Vera L. Zolberg [États-Unis] | Displayed Art and Performed Music: Selective Innovation and the Structure of Artistic Media |
| 001772 (1974) |
Frances Neel Cheney | Recent reference books |
| 001D26 (1957) |
| The Book Column |
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